Tuesday, August 7, 2007

In children faulty posture may mar the future of the individual by



causing spinal curvature and physical deformities that interfere with
physical and mental efficiency throughout life, and often lower the
resistance to disease
In children faulty posture may mar the future of the individual by
causing spinal curvature and physical deformities that interfere with
physical and mental efficiency throughout life, and often lower the
resistance to disease. Deep breathing through the nose and 'setting up'
exercises are of incalculable importance in such cases.


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THE WILL AND VOLUNTARY ATTENTION



THE WILL AND VOLUNTARY ATTENTION.--In voluntary attention there is a
conflict either between the will and interest or between the will and
the mental inertia or laziness, which has to be overcome before we can
think with any degree of concentration. Interest says, 'Follow this
line, which is easy and attractive, or which requires but little
effort--follow the line of least resistance.' Will says, 'Quit that line
of dalliance and ease, and take this harder way which I direct--cease
the line of least resistance and take the one of greatest resistance.'
When day dreams and 'castles in Spain' attempt to lure you from your
lessons, refuse to follow; shut out these vagabond thoughts and stick to
your task. When intellectual inertia deadens your thought and clogs your
mental stream, throw it off and court forceful effort. If wrong or
impure thoughts seek entrance to your mind, close and lock your mental
doors to them. If thoughts of desire try to drive out thoughts of duty,
be heroic and insist that thoughts of duty shall have right of way. In
short, see that _you_ are the master of your thinking, and do not let it
always be directed without your consent by influences outside of
yourself.


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I do not mean that your imagination cannot construct an object which has



never before been in your experience as a whole, for the work of the
imagination is to do precisely this thing
I do not mean that your imagination cannot construct an object which has
never before been in your experience as a whole, for the work of the
imagination is to do precisely this thing. It takes the various images
at its disposal and builds them into _wholes_ which may never have
existed before, and which may exist now only as a creation of the mind.
And yet we have put into this new product not a single _element_ which
was not familiar to us in the form of an image of one kind or another.
It is the _form_ which is new; the _material_ is old. This is
exemplified every time an inventor takes the two fundamental parts of a
machine, the _lever_ and the _inclined plane_, and puts them together in
relations new to each other and so evolves a machine whose complexity
fairly bewilders us. And with other lines of thinking, as in mechanics,
inventive power consists in being able to see the old in new relations,
and so constantly build new constructions out of old material. It is
this power which gives us the daring and original thinker, the Newton
whose falling apple suggested to him the planets falling toward the sun
in their orbits; the Darwin who out of the thigh bone of an animal was
able to construct in his imagination the whole animal and the
environment in which it must have lived, and so add another page to the
earth"s history.


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Lazear told us, however, that while at 'Las Animas' Hospital



the previous Thursday (five days before), as he was holding a
test-tube with a mosquito upon a man"s abdomen, some other
insect which was flying about the room rested upon his hand; at
first, he said, he was tempted to frighten it away, but, as it
had settled before he had time to notice it, he decided to let
it fill and then capture it; besides, he did not want to move
in fear of disturbing the insect contained in his tube, which
was feeding voraciously
Lazear told us, however, that while at 'Las Animas' Hospital
the previous Thursday (five days before), as he was holding a
test-tube with a mosquito upon a man"s abdomen, some other
insect which was flying about the room rested upon his hand; at
first, he said, he was tempted to frighten it away, but, as it
had settled before he had time to notice it, he decided to let
it fill and then capture it; besides, he did not want to move
in fear of disturbing the insect contained in his tube, which
was feeding voraciously. Before Lazear could prevent it, the
mosquito that bit him on the hand had flown away. He told us in
his lucid moments, that, although Carroll"s and Dean"s cases
had convinced him of the mosquito"s role in transmitting yellow
fever, the fact that no infection had resulted from his own
inoculation the month before had led him to believe himself, to
a certain extent, immune.


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Michelangelo experienced some illnesses, all but two of them of



minor moment
Michelangelo experienced some illnesses, all but two of them of
minor moment. In 1531 he 'became alarmingly ill, and the Pope
ordered him to quit most of his work and to take better care of
his health.' That the illness was a storm merely of the surface
is evidenced sufficiently in that his fresco of the 'Last
Judgment,' probably the most famous single picture in the
world, was begun years later and completed in his sixty-sixth
year. In the work of this epoch there is more than ever the
evidence of a pouring forth of energy amounting almost to what
the critics call violence--to terribleness of action. It was
not until the age of seventy that an illness which seemed to
mark any weakening of his bodily powers came upon him. At
seventy-five, symptoms of calculus (a disease common in that
day at fifty) appeared, but, though naturally pessimistic, he
writes, 'In all other respects I am pretty much as I was at
thirty years.' He improved under careful medical treatment, but
the illness and his age were sufficient to cause him to 'think
of putting his spiritual and temporal affairs in better order
than he had hitherto done.'


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Many traces of this first uneasy consciousness regarding the social evil



are found in contemporary literature, for while the business of
literature is revelation and not reformation, it may yet perform for the
men and women now living that purification of the imagination and
intellect which the Greeks believed to come through pity and terror
Many traces of this first uneasy consciousness regarding the social evil
are found in contemporary literature, for while the business of
literature is revelation and not reformation, it may yet perform for the
men and women now living that purification of the imagination and
intellect which the Greeks believed to come through pity and terror.


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